The 10 best rules of tiles, for tiles mistri dot com

Tiles are usually thin, square or rectangular coverings made from hard-wearing materials such as ceramic, stone, metal, baked clay or even glass. They are usually fixed in place in an array to cover ceilings, floors, walls, edges, or other objects such as tabletops. Alternatively, tile can sometimes refer to similar units made from lightweight materials such as perlite, wood and mineral wool, typically used for wall and ceiling applications. In other words, a tile is a construction tile or similar object, such as the rectangular counters used in playing games. The word derives from the French word tuelle, which in turn comes from the Latin word tegula, meaning a roof tile made of fired clay.

Finishing is very important for pitting tiles.

Without it, work is not enjoyable. If it's bad, you can touch the tiles to tell which is up and which is down.This makes your work more interesting.Only a good mistri can do this. So I would say, for your good work and good finishing, check good tiles mistri.Let's hope you understand my first rules. Your understanding is my success. If you can understand my first rule then we will now move to the second rule.

Being able to cut tile correctly is important. How beautiful your work is or will be depends on cutting the tile correctly. And if you cut tiles in this correct way, you will definitely have a good experience. You can't fall in love without experience. So you have to experience cutting with love. To cut with love you have to look at two things. First of all, people will love to cut tiles. Second is to use marker pen.

The earliest evidence of glazed bricks is the 13th century BC discovery of glazed bricks at the Elamite temple of Choga Zanbil. Glazed and colored bricks were used to create low reliefs in ancient Mesopotamia, most famously the Ishtar Gate of Babylon (ca. 575 BC), now partially reconstructed in Berlin, with parts elsewhere. Mesopotamian craftsmen were imported for the palaces of the Persian Empire such as Persepolis.

The use of sun-dried bricks or adobe was the main method of construction in Mesopotamia where river mud was found in abundance along the Tigris and Euphrates. The scarcity of stone here may have been an incentive to develop kiln-fired brick-making technology to use as a substitute. To strengthen walls made of sun-dried bricks, thrown bricks began to be used as an external protective skin for more important buildings such as temples, palaces, city walls and gates. Brick making is an advanced pottery technique. Fired brick is a solid mass of clay heated in kilns between 950° and 1,150°C and a well-made brick is a very durable material. Like sun-dried bricks, they were made in wooden moulds, but special molds had to be made for bricks with relief decorations.

Ancient Indian subcontinent

Rooms with clay tile floors decorated with geometric circular patterns have been discovered from the ancient ruins of Kalibangan, Balakot and Ahladino.[2][3]

The Sinhalese kings of ancient Sri Lanka in the 2nd century used tiling, using smooth and polished stones laid on floors and in swimming pools. Historians consider the techniques and tools of the tiles to be advanced, as evidenced by the fine craftsmanship and close fit of the tiles. .

Ancient Iran

A relief made of glazed brick tiles from the Achaemenid decoration of the palace of Darius at Susa.

The Achaemenid Empire decorated buildings with glazed brick tiles, including the palace of Darius the Great at Susa and the building at Persepolis.

The later Sassanid Empire used tiles with geometric designs, flowers, plants, birds and human designs, glazed up to one centimeter thick.

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Shah Mosque in Isfahan, Iran

Early Islamic mosaics in Iran mainly consist of geometric decorations of mosques and tombs, made of glazed bricks. Plain, turquoise, tiling became popular in the 10th-11th centuries and was mostly used for Kufic inscriptions on mosque walls. The Syed Mosque in Isfahan (1122 AD), the Marrakeh Dome (1147 AD) and the Jame Mosque in Gonabad (1212 AD) are among the best examples. The dome of Jame Atiq Mosque in Qazvin also dates from this period.

Timurid turquoise-shiny Mukarna. First half of 15th century, Shah-i-Zinda

The golden age of Persian tilework began during the Timurid Empire. In the Morac technique, tiles of a single color were cut into small geometric pieces and joined together by pouring liquid plaster between them. After hardening, these panels were assembled into the walls of the building. But mosaics were not limited to plains. Tiles were used to cover both the interior and exterior surfaces of the dome. Prominent Timurid examples of this technology include the Jame Mosque at Yazd (AD 1324–1365), the Goharshad Mosque (AD 1418), the Khan's Madrasah at Shiraz (AD 1615), and the Molana Mosque (AD 1444).

Other important tile techniques of this period include girih tiles, with their characteristic white girih or straps.

The mihrabs, the centerpiece of the mosque, were usually where the most elaborate tilework was installed. The 14th-century mihrab at Madrasa Imami in Isfahan is an outstanding example of the Islamic calligrapher's aesthetic union between art and abstract ornament. The pointed arch forming the niche of the mihrab contains an inscription in the 9th century Kufic script used in the Koran.

One of Iran's best-known architectural masterpieces is the 17th-century Shah Mosque in Isfahan. Its dome is a prime example of tile mosaic, and its Winter Prayer is one of the finest Cuerda Seca tiles in the world. Different types of tiles had to be made to cover the hall's complex forms with consistent mosaic patterns. The result was a technical triumph as well as a dazzling display of abstract ornamentation.

During the Safavid period, mosaic ornaments were often replaced by the haft rang (seven-colored) technique. The images were painted on simple rectangular tiles, glazed and then fired. Apart from economic reasons, the seven-color system gave artists more freedom and was less time-consuming. It remained popular until the Qajar period, when the color palette was expanded by yellow and orange. The seven colors of Haft Rang tiles are usually black, white, ultramarine, turquoise, red, yellow and green.

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Two panels of earthenware tiles painted with a white glazed polychrome glaze. (Iran 19thC)

The Persian tradition continued and spread throughout much of the Islamic world, particularly the Iznik pottery of Turkey under the Ottoman Empire in the 16th and 17th centuries. Palaces, public buildings, mosques and tombs were decorated with large brightly colored patterns, usually floral motifs, and friezes of amazing complexity, including floral motifs and calligraphy as well as geometric patterns.

Middle Eastern tilework and medieval influences on tilework in Europe were mainly through Islamic Iberia and the Byzantine and Ottoman Empires. Alhambra Geliz m. C. Said to have inspired Escher's tessellations. [citation needed]

Medieval encaustic tiles at Cleve Abbey, England

Medieval encaustic tiles were made of multiple colors of clay, shaped and baked together to create a pattern that, rather than sitting on the surface, would run through the thickness of the tile and thus not be ruined.

Medieval Europe

Medieval Europe made considerable use of painted tiles, sometimes creating very elaborate schemes, some of which survive. Religious and secular stories were depicted. An example is the imaginary tiles with Old Testament scenes shown on the floor of Jan van Eyck's 1434 Annunciation in Washington. The British Museum's 14th-century "Tring Tiles" show childhood scenes from the Life of Christ, probably for a wall rather than a floor,[6] while their 13th-century "Chertsey Tiles", though from an abbey, show scenes of Richard the Lionheart with Saladin in a highly elaborate work. fighting Medieval letter tiles were used to create Christian inscriptions on church floors.

17th century Delft blue and white tile with sea monster

Delftware wall tiles, usually just one (admittedly small) blue and white tile covering with a painted design, were ubiquitous in Holland and were widely exported to northern Europe from the 16th century, replacing much of the local industry. Several 18th-century palaces had porcelain rooms with walls completely covered in tiles or panels of porcelain. Surviving examples include the Royal Palace of Capodimonte, Naples, Madrid and the nearby Royal Palace of Aranjuez.

far east

There are several other types of traditional tiles that are remai

William D Morgan, Fulham period, 6 inch tile splendid duck with lustrous highlights.

Modern Europe

The Victorian era saw a great revival of tilework, mainly as part of the Gothic Revival, but also the Arts and Crafts movement. Patterned tiles, or patterned tiles, are now widely produced by machine and are reliably uniform and cheap to produce for floors, especially for churches, schools and public buildings, but also for domestic hallways and bathrooms. Hard encaustic tile was used for many uses. Wall tiles have also been revived in different styles; The rise of the bathroom contributed to this, as well as a greater appreciation of the benefits of hygiene in the kitchen. William de Morgan was the leading English designer who worked on tiles, strongly influenced by Islamic design.

Since the Victorian period, tiles have remained standard for kitchens and bathrooms, and many types of public areas.

Tiles in a pub in Utrecht, Netherlands

A late Art Nouveau kiosk (1923) in Las Palmas de Gran Canaria covered with tiles from Manices, Spain.

Portugal and São Luis continue their tradition of azulejo tilework today, with azulejos used to decorate buildings, ships,[8] and even rocks.

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Azulejos

Roof tiles

Main article: Roof tiles

Roof with "beaver tail" tiles in Dinkelsbühl, Germany

Tile mosaics at the University of Bremen, Germany.

Tile mosaics at the University of Bremen, Germany.

Roof tiles are primarily designed to protect against rain and heat and are traditionally made from locally available materials such as clay, granite, terracotta or slate. Modern materials such as concrete, glass and plastic are also used, and some clay tiles have a waterproof glaze. A large number of shapes (or "profiles") of roof tiles have evolved such as flat tiles, pantiles with 'S' shapes and Roman tiles with alternating flat and curved sections.

Floor tiles

Making mosaic tiles

Cross section of a pottery tile

Section through a porcelain stone slab

Elaborate floor pattern of the Sydney Queen Victoria Building

Floor tiles in Karpus, northeastern Cyprus

6"x6" porcelain floor tiles

Patio with stone tiles, Hawaii, US 1960s

Cracked tile floor

They are usually made of ceramic or stone, although recent technological advances have led to rubber or glass tiles for floors as well. Ceramic tiles can be painted and glazed. Small mosaic tiles can be laid in different patterns. Floor tiles are usually set in a mortar consisting of sand, cement and often a latex additive. The spaces between the tiles are usually filled with sanded or unsanded floor grout, but traditionally mortar was used.

Natural stone tiles can be beautiful but as a natural product they are less uniform in color and pattern, and require more planning for use and installation. Mass-produced stone tiles are uniform in width and length. Granite or marble tiles are sawn on both sides and then the top surface is polished or finished so that they have an even thickness. Other natural stone tiles such as slate are usually "riven" (split) on the top surface so that the thickness of the tile varies slightly from one area of the tile to another and from one tile to another. Variations in tile thickness can be handled by adjusting the amount of mortar under each section of tile, using wide grout lines that "ramp" between different thicknesses, or using a cold chisel to knock off high spots.

Some stone tiles such as polished granite, marble and travertine become very slippery when wet. Stone tiles with a riven (split) surface such as slate or sawn and then sandblasted or polished surfaces will be more slip-resistant. Ceramic tiles for use in wet areas can be made more slip-resistant either by using very small tiles so that the grout lines act as grooves or by imprinting a contour pattern on the face of the tile.

The hardness of natural stone tiles varies so that some soft stone (such as limestone) tiles are not suitable for very heavy-traffic floor areas. On the other hand, ceramic tiles usually have a glossy top surface and when it gets scratched or pitted the floor looks worn, whereas natural stone tiles don't show the same amount of wear or will be less noticeable.

Natural stone tiles can be stained by spilled liquids; Unlike ceramic tiles they must be sealed with sealant and periodically resealed which only require sealing their grout lines. However, due to the complex, non-repeating patterns in natural stone, many natural stone floor tiles do not show a small amount of dirt.

The tendency of floor tiles to stain depends not only on the application and periodic reapplying of a sealant, but also on their porosity, or how porous the stone is. Slate is an example of a less porous rock while limestone is an example of a more porous rock. Different granites and marbles have different porosity, and those with less porosity are more valuable and more expensive.

Most sellers of stone tiles insist that there will be variations in color and pattern from one batch of tiles of the same description and within the same batch. Stone floor tiles are heavier than ceramic tiles and are slightly more prone to breakage during shipment.

Rubber floor tiles have a variety of uses, both residential and commercial. They are particularly useful in situations where protection of high-traction floors or easily broken floors is desired. Some common uses include garages, workshops, patios, swimming pool decks, sports courts, gyms and dance floors.

Plastic floor tiles with interlocking floor tiles that can be installed with or without glue are a recent innovation and are suitable for heavy traffic, wet areas and floors subject to movement, dampness or contamination from oil, grease or other substances. May prevent adhesion to the substrate. Common uses include old factory floors, garages, gyms and sports complexes, schools and shops.

Ceiling tiles

Main article: Ceiling tile

Ceiling tiles are lightweight tiles used inside buildings. They are placed on an aluminum grid; They provide little thermal insulation but are generally designed to improve the acoustics of a room or reduce the amount of air that is heated or cooled.

Mineral fiber tiles are made from a variety of products; Wet felt tiles can be made from fibers from perlite, mineral wool and recycled paper; Stone wool tiles are made from a combination of molten rock and binder which is then cut to form tiles; Gypsum tiles are based on soft minerals and then finished with vinyl, paper or a decorative face [citation needed]

Ceiling tiles very often have patterns on the front; These mostly help with the ability to improve the acoustics of the tiles.[citation needed]

Ceiling tiles provide a barrier to the spread of smoke and fire. Broken, dislodged or removed ceiling tiles enable hot gases and smoke from the fire to rise and accumulate above detectors and sprinklers. Doing so delays their activation, enabling the fire to grow more quickly.

Ceiling tiles, especially in older Mediterranean houses, were placed over terracotta and wooden ceiling beams, and roof tiles were placed over them. They were then plastered or painted, but nowadays are usually left bare for decorative purposes.

Modern-day tile ceilings can be flush mounted (nailed up or glued) or installed as drop ceilings.